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Soft pink makes the frst appearance. The pleats that open and close orderly like an organ, the bottom hem that spreads out like a fan, and the skirts that bloom like a corolla composed the classical and romantic tone together. Blue and green with different shades are following closely, interweaving gradual layers on cotton and viscose fabrics of varying thickness, on pieces like frilled jackets and bud dresses, which pushes the atmosphere returning to the 40s and 50s to the climax. The presentation of the textile designer?s new collection,?Burn Out, stages a chaotic heatwave office Christmas party set in a dystopian world where winter no longer exists and tan lines shape our bodies all year long. Traditional office wear is deconstructed and replaced by tank tops and flip flops while everyday disposable objects such as paperclips, ballpoint pens, and Christmas bows are printed on dresses alongside beach motifs. The forthcoming series of events at Phonox also includes a night with Eastern Margins, with Kero Kero Bonito?s Sarah Bonito, Rui Ho, hainafromchina, Cloudy Ku and Merry Lamb Lamb confirmed to play. The October resident will be Marcel Dettmann ? who has invited names such as Bashkka, Ogazon and Interstellar Funk for his run of Friday parties. The exhibition will include fashion pieces ranging from a 17th-century English Elizabethan-era bodices to pieces by one of London’s brightest young designers Conner Ives. In the mix will also be pieces from fashion’s most lauded names from across the 20th century, including Christian Dior and Elsa Schiaparelli, both of who often looked to the natural world for their work. Schiaparelli’s famous lobster dress springs to mind. Or Christian Dior’s fascination with flowers. The colours were bold yet romantic with delicate prints and fabrics which were well balanced with new-age cowboy boots. With successful brand collaborations like Mulberry, Ganni and Adidas under her belt, we?re excited to see Ahluwalia continue being a force for (sustainable) fashion.
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