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These are not your average little black dresses. This winter, the LBD will confirm its status as a fashion statement thanks to the graphic looks seen at?Alexander McQueen, Loewe?and?Louis Vuitton. The appearance of gambiered Guangzhou silk is like a buffer zone between large opening and closing. The subtle texture is deeply hiding on the soil-dark fabric, like growth rings. This wisp of poetic favour from the Orient is quietly waiting for the appreciation of eyes. Together with thin soft gray suit and trench coat following on the stage, these works take the audience back to the leisurely 1980s from the magnifcent haute couture period. Today, though, was about the main line, which, like the most recent resort outing, was fashioned by those who remain in the Lanvin team following the exit of its most recent creative director. Under Shukla?s new three-pronged strategy, that main line?which is also due a new headline designer by Christmas?will take center stage. Flanking it will be Lanvin Lab collabs, announced and dropped episodically, and the extremely important, newly vertical category that is accessories: Semi-detaching these from the fortunes of the main collection certainly seems a wise move. Sure, you’ve heard of Burberry, Roksanda and JW Anderson, but how much do you know about?London Fashion Week’s ones to watch? When the haute couture silhouette of the 1940s and 1950s meets the soft tailoring of the 1980s, this game of complexity and simplicity, toughness and tenderness, grandness and relaxation, mix up increasingly intriguing scenes at the moment, eliminating the boundary between time and space, and building a truly practical contemporary wardrobe. It may not be the golden age written in books, but it is the revival belonging to this moment.
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